Agora: Red Deer Polytechnic Undergraduate Journal Volume 16:2 (2025) Student Writer Awards From the Ground Up: What Canadian Repatriation Policy Can Learn From NAGPRA Bailey Horton Facilitating repatriation in Canadian museums is a complex issue informed by a collection of institutional policies. In their article “Updated U.S. Law Still Leaves Indigenous Communities In Canada Out of Repatriations From Museums,” Susan M. Hill and Mary Jane McCallum consider where museum repatriation efforts support Indigenous communities, and where they fall short. Repatriation in this context refers to the return of Indigenous objects and remains to their communities. A Canadian First Nation historian and citizen of the Haudenosaunee nation, Hill is an experienced writer in her field. Many of her publications center around Haudenosaunee history treaty rights, Indigenous women’s history, and American Indian History (Hill UToronto). Her collaborator, McCallum, researches modern Indigenous histories centered in Manitoba and Ontario. She is a founding member of Native American and Indigenous Studies Association (McCallum). Their article raises important considerations regarding changes to the Native American Graves Protection and 130 Repatriation Act (NAGPRA) and Canada’s lack of equivalent policy. In this paper, I further explore Hill and McCallum’s concern surrounding Canadian responsibilities to repatriation with a focus on Canadian policy making. As an expansion to their work, I consider the strengths Canadian museum institutions have found in direct relationships with Indigenous communities despite a lack of federal policy, refute misinformation surrounding repatriation as a loss of knowledge, and consider the importance of implementing federal policies to relieve excess labour in both museum and Indigenous communities. I pose that enacting a federal policy on a scale similar to NAGPRA would benefit Canadian efforts to repatriate Indigenous cultural property. This will hold our government and museums accountable in answering the Truth and Reconciliation Commission’s calls to action. By offering a measure of standardization, museum institutions and Indigenous communities both stand to gain greater support for their efforts without the loss of current relations. In 2024, amendments were made to NAGPRA to penalize institutions who have not engaged with Indigenous communities (Hill). Hill and McCallum outline the changes of policy, which includes requirements for museums in America to get prior and informed consent when engaging with cultural objects, the incorporation of Native American traditional 131 knowledge in care for items, and a timeline of five years to consult and update inventory of human remains and funerary objects (Hill). At a federal level, Canada has no single policy that matches NAGPRA. Instead, repatriation is influenced through a “patchwork” of policy structures (Meloche 38). Through the widest lens, Canadian current institutional policy is informed by reports by the Canadian Museums Association, the Truth and Reconciliation Commission of Canada, and the UN Declaration on the Rights of Indigenous Peoples. But unlike NAGPRA, none of these institutional recommendations have been enforced federally. Much of the resistance to repatriation comes from a place of fear. Some scholars object to repatriation efforts as a loss of ability to study Indigenous cultural property. However, the success NAGPRA has found in cataloguing and collaboratively researching its collection as a result of the policy directly disproves this fear. The counter to fear of repatriation has two arguments. The first argument is that NAGPRA has resulted in museums cataloguing Indigenous cultural property that had been previously neglected (McDougall 63). It requires institutions with federal funding to create comprehensive inventories of their Indigenous collections, and notify any related communities (Hill). Ironically, resistance to the repatriation of cultural material that had not been engaged with implies it is purely 132 grounded in colonial ideas of ownership. The enforcement of a federal policy like NAGPRA holds museums accountable and will encourage museums to share and return knowledge. This shift will move museums away from the colonial structures of ownership they currently engage with. Another direct benefit of implementing federal policy is that funding is being directed to ensure museums can meet these expectations (McDougall 63). It has served to direct museums' focus towards developing further innovations to identify affiliations in order to return remains and cultural material to their original communities (McDougall 63). By enforcing NAGPRA, museums have gained knowledge about their cultural objects, while beginning to address the colonial systems they are grounded in. Despite lacking a federally encompassing policy like NAGPRA, many Canadian museums have prioritized repatriation efforts. Canadian repatriation at the institutional level engages Indigenous communities and local museums in direct working relationships beneficial to their locality. Hill and McCallum argue that without a policy like NAGPRA, Canadian museums are not compelled to work in good faith towards repatriation. Yet, museum institutions across the country have still chosen to work with their local Indigenous communities to develop repatriation policies. Museum institutions like Glenbow, the Manitoba Museum, The British Columbia 133 Museums Association, and the Canadian Museums Association are a few examples of organizations working towards repatriation (Meloche 35, 41; Glenbow Repatriation). Locally focused relationships have been Canada’s greatest strength regarding repatriation. Simultaneous to the development of NAGPRA in the USA, Canada faced its own “watershed moment in Canadian Museology” in the controversy surrounding “The Spirit Sings: Artistic Traditions of Canada’s First People” (Meloche 35). The exhibition was put on by the Glenbow Museum in Calgary to display over 650 Indigenous cultural objects from worldwide but was boycotted by the Lubicon Lake Cree Nation due to Shell Oil’s sponsorship of the event (Meloche 35). The controversy resulted in the creation of The Task Force, a collaboration between the Assembly of First Nations and the Canadian Museums Association (Meloche 35). Their Task Force Report served as the groundwork for many resulting museums repatriation policies (Meloche 36). Through a direct working relationship, initiative continues to be taken to facilitate repatriation in many museums alongside local Indigenous communities. I pose that the emphasis on establishing individual relationships with Indigenous communities allows for flexibility for specific needs and practices unique to each group in tangent with their cultural practices. This has proven effective at the Glenbow Museum 134 after the “The Spirit Sings” controversy through their work with several Blackfoot First Nations groups. Since 1990, Glenbow has repatriated over 300 bundles to the Blackfoot and Cree communities, as well as signed a Memorandum of Understanding with the Mookaakin Cultural and Heritage Society to include them in collecting, researching, and exhibiting their culture (Glenbow Repatriation). Their 2001 exhibit, (kneed-su-tap-e-see-ni) Niitsitapiisini, was developed by 18 Blackfoot Elders over a 4 year period in collaboration with the Glenbow. The positive reception to this 20 year long exhibition shows how essential returning agency to the Blackfoot people is to the understanding and sharing of their history (Glenbow). The Glenbow is a great example of how acknowledging Indigenous knowledge is central to understanding their own cultural property. The fear of repatriation reflects the double standards of colonial institutions through disregarding Indigenous knowledge. Indigenous organizations are fully capable of engaging with the nuanced concerns involved in repatriation efforts, despite the colonialist narratives scholars like J.H. Merryman perpetuates when considering who can study cultural artefacts. In his argument against repatriation as an act denying the world the right to study these artefacts (McDougall 57), he inadvertently implies that the communities regaining 135 their objects are not fit to study them. The North American Indian Museums Association challenged this outdated notion. An organization completely composed of Indigenous scholars, it was responsible for the creation of the “Suggested Guidelines for Museums in Dealing with Requests for Return of Native American Materials” in 1981 (McDougall 62). These guidelines became a touchstone for many of the considerations for repatriation in the USA that followed. Beyond the museum context, policy supporting repatriation also puts the knowledge back into Indigenous hands by dismantling the double standards colonial institutions limit Indigenous communities to. Hill and McCallum stress the importance of Indigenous access to cultural property for community based research. By returning agency to Indigenous people in the conservation of their cultural property, they are able to engage in community based research that benefits their historical canon. In addition, the accuracy of information is improved through contextual understanding. It is clear that Canadian museums are interested in repatriation. But while Canada’s institutional focused policy has its relational strengths, it fails to support the repatriation work it wants to serve. Indigenous peoples and heritage practitioners criticize the lack of oversight to policy implementation and unclear guidelines, leading to repatriation work going unsupported (Meloche 42). The implementation of a policy like 136 NAGPRA federally in Canada would reduce the labour required to engage with repatriation, allowing museums and Indigenous communities to focus on individual relationships. As we have seen with NAGPRA, federal policy directly supports the implementation of federal funding (McDougall 63). By making repatriation a federal policy like NAGPRA, museums and Indigenous communities alike can hold the Canadian government accountable in answering the TRC calls to action. Canada already has a number of policies and reports that can inform what a Canadian equivalent to NAGPRA could look like. Hill and McCallum reference the 2022 report, “Moved to Action: Activating UNDRIP in Canadian Museums,” by the Canadian Museums Association. This report offers a valuable collection of recommendations and standards for museums to implement in response to the UN Declaration on the Rights of Indigenous Peoples. While the report addresses inequalities surrounding Indigenous labour, it has yet been seen in practice (Hill). However, I believe it provides a solid groundwork for policy to address museums responsibilities to take on and fiscally support labour if it is implemented at federal level. To engage in an equal relationship, museums must be held accountable and pursue repatriation, rather than expecting tribes to request repatriation (Hill). The report emphasises the importance of museums taking responsibility to “identify, 137 contact, and initiate repatriations to take the onus off of Indigenous rights holders” (Danyluk 42). This expands the Task Force Report’s recommendation that museums proactively notify affiliated communities when regarding ancestral remains (Meloche). Implementing policies that standardize museum’s responsibilities towards repatriation, along with funding that reflects Indigenous time and labour will allow Indigenous communities to focus their labour on the cultural property itself. Repatriation as a whole has a positive impact on both museums and Indigenous communities. I believe Canada has a strong foundation of relational focused policy of museum institutions and Indigenous communities that begin to address many of Hill and McCallum’s concerns. While they are correct that Canada currently lacks a federal policy like NAGPRA, it does not lack initiative to engage with repatriation. To establish a more comprehensive understanding of the relationship of Canadian policy to Indigenous repatriation, I recommend that further research is done regarding Indigenous intellectual sovereignty, museum responsibility to fairly compensate Indigenous labour, and the colonial framework of ownership museums exist within. Through this paper, I have attempted to address the strengths Canadian museums have regarding repatriation, disprove common fears associated with the process, and consider the support a standardized policy like NAGPRA 138 may offer to reduce excess labour surrounding repatriation. I strongly believe utilizing existing reports institutions like the Canadian Museums Association; the Task Force; and existing treaties, agreements, and institutional policies will serve to establish the federal legislature Canada needs. By standardizing policy at a federal level Canadian museum institutions and Indigenous communities can continue to focus on developing strong relationships while reducing barriers to repatriation. 139 Works Cited Danyluk, Stephanie, and Rebecca MacKenzie. “Moved To Action: Activating UNDRIP In Canadian Museums.” Canada Museums Association, 2022, museums.ca/uploaded/web/TRC_2022/Report-CMAMovedToAction.pdf. Hill, Susan. “Susan Hill.” University of Toronto Department of History, 19 Sept. 2023, www.history.utoronto.ca/people/directories/allfaculty/susan-hill. McCallum, Mary Jane, and Susan M. Hill. “Updated U.S. Law Still Leaves Indigenous Communities in Canada out of Repatriations from Museums.” The Conversation, 27 Mar. 2024, theconversation.com/updated-u-s-law-stillleaves-indigenous-communities-in-canada-out-ofrepatriations-from-museums-223617. McCallum, Mary Jane. “Mary Jane McCallum.” The University of Winnipeg, www.uwinnipeg.ca/history/facultystaff/mary-jane-mccallum.html. 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